Modern Western Square Dance Singing Calls: Recycling the Zero Module

The singing call figures and corresponding modules that I put together in the previous article  Modern Western Square Dance: Expanding on Singing Call Choreography (Revisited) which was about increasing not only choreographic variety but also strengthening dancer’s abilities in your evening program by using singing call figures with similar combinations of calls netted me the nuts and bolts to very easily write EVEN MORE singing call figures based from the ZERO modules that I wrote that were in the article.

Overall, any level square dance set of calls that you program can be more engaging if you come up with some great ideas and actually USE them in the program. That really is what you should focus on when you are practicing and using MY TIME LOG. This practice regimen is designed to push you into learning and using different choreography ideas and be well prepared to deliver the calls in a night’s dance.

Related:  Modern Square Dancing: Building Variety In Singing Call Choreography

Old modules can provide new choreographic ideas, singing call figures, workshop ideas, they can even be recycled into newer modules that you can get even more mileage out of at dances. Or they can be changed to work at different levels of square dancing with some study and homework!

By using calls and combinations of calls that are new or thought provoking for the dancers, you are promoting stronger dancing through these different choreographic ideas. As a square dance caller, your evening dance program needs to be loaded with sequences that give interest and make anticipation of calls almost non-existent.

 

CALLING TIP! 
Always approach choreography writing with the newest dancer’s capabilities in mind. By making the weakest dancers on the floor your focus and using some imaginative choreographic ideas, your program will then become a learning desk for all!

Heads (Sides) Touch a Quarter
Those Boys Run
Swing Thru
Spin the Top
Recycle
Sweep a Quarter
Touch a Quarter
Scoot Back
Boys Run
Slide Thru
Swing Corner & Promenade Home

Heads (Sides) Touch a Quarter
Those Boys Run
Touch a Quarter
Split Circulate
Boys Run
Reverse Flutterwheel
Sweep a Quarter
Swing Thru
Swing Corner & Promenade Home

Heads (Sides) Lead Right
Touch a Quarter
Walk & Dodge
Bend the Line
Touch a Quarter
Everybody Circulate
Boys Run
Swing Thru
Boys Trade
Swing the Corner & Promenade Home

Heads (Sides) Touch a Quarter
Those Boys Run
Right & Left Thru
Swing Thru
Boys Run
Half Tag (the Line)
Walk & Dodge
Partner Trade
Boys Walk – Girls Dodge
Swing the Corner & Promenade Home

 

Look into taking some of your old singing call figures and rewriting them into something unpredictable. Or if you have any modules take look at them and see if you can rewrite them and come up with some new figures that you then can inject into your program and reinforce better and stronger understanding of the calls for the dancers.

Workshop tips within your night’s program should provide some new or needed choreographic ideas that can be taught quickly.

All in all, if you work on changing choreography and present new ideas that foster stronger dancing, you will have done something both powerful and beneficial to the square dance activity!

Best Regards,
Shaun Werkele
303-250-4735

 

 

 

Mission Statement: The purpose of this post is to create a greater visibility of the square dance activity for future dance population growth on a national and local level. The coaching information provided here serves as a source for square dance caller education training and perspectives on dance. Future articles will be developed to improve the programs of square dancing and how those learning to square dance call can help contribute to the preservation of both modern western square dancing and traditional square dancing and to aid in the growth of the square dance activity.

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